• France • Belgium • West Germany Language English Pink Floyd: Live at Pompeii is a 1972 directed by Adrian Maben and featuring the English group performing at the in, Italy. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew. The main footage in and around the amphitheatre was filmed over four days in October 1971, using the band's regular touring equipment, including a mobile 8-track recorder from Paris (before being bumped up to 16-track in post-production).

Jim Caviezel in The Final Cut (2004) Mira Sorvino and Robin Williams in The Final. Pink Floyd's 1983 album, The Final Cut, shares a character with this film,.

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Additional footage filmed in a Paris television studio the following December was added for the original 1972 release. The film was then re-released in 1974 with additional studio material of the band working on, and interviews at.

The film has subsequently been released on video numerous times, and in 2002 a DVD appeared which combined the original footage from 1971 with more contemporary shots of space and the area around Pompeii, assembled by Maben. A number of bands have taken inspiration from the film in creating their own videos, or filming concerts without an audience. The amphitheatre at Pompeii where most of the footage was filmed. Pink Floyd had already experimented with filming outside the context of a standard rock concert, including an hour-long performance in TV studios in April 1970. Adrian Maben had become interested in combining art with Pink Floyd's music, and during 1971, he attempted to contact the band's manager,, to discuss the possibilities of making a film to achieve this aim.

After his original plan of mixing the band with assorted paintings had been rejected, Maben went on holiday to in the early summer. During a visit to Pompeii, he lost his passport, and went back to the amphitheatre he had visited earlier in the day in order to find it. Walking around the deserted ruins, he thought the silence and natural ambient sounds present would make a good backdrop for the music. He also felt that filming the band without an audience would be a good reaction to earlier films such as and, where the films paid equal attention to performers and spectators. One of Maben's contacts at the, Professor Carputi who was a Pink Floyd fan, managed to persuade the local authorities to close the amphitheatre for six days that October for filming. Access was secured after payment of a 'fairly steep' entrance fee. Filming [ ] Pompeii [ ].

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A shot of this appeared at the start of ' The performances of ', ', and ' were filmed from 4 to 7 October 1971. O'Rourke delivered a demo to Maben in order for him to prepare for the various shots required, which he finally managed to do the night before filming started. The choice of material was primarily the band's, but while Maben realised it was important to include material from the band's new album, he was also keen to include ' and 'A Saucerful of Secrets', as he felt they would be good numbers to film. The band insisted on playing live, and brought their regular touring gear with them. Their roadie, Peter Watts, suggested that the 8-track recorder would produce a sound comparable to a studio recording.