The Etudes for Trumpet consists of two series of study material for trumpet: the Orchestral Etudes and the Last Etudes. Among students of the instrument, both of these series have met with the most enthusiastic acclaim. There are few instrumental studies which have excited such general enthusiasm and proved so useful in the development of trumpet technique. By William Vacchiano. Both series of etudes are for the advanced student and offer invaluable material for the study of phrasing and for warm-up drills.

Brandt Trumpet 34 Orchestral Studies Book and free Cd Clyde E. Hunt has performed the Brandt 34 Orchestral Studies entirely!

Bb Trumpet Audition Music for Trumpet: Scales (fingered by setting): D Major Scale E Major Scale F Major Scale G Major Scale A Major Scale Eb Major Scale Ab Major Scale. Select the Lyrical and Technical Etudes that you feel you can play well. Please refer to Audition Requirements for thorough clarification of what is.

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These Orchestral Etudes are constructed upon material from composers: Capriccio Italien, Scheherazade and several others are represented. In our estimation these are 'must have' etudes. All orders usually shipped media mail when received!: Play Etude 34 mp3 Order CD only The text is a Boptism Publication - You will receive both the Book and CD = $12.95 A word about the stereophonic recordings from B-Flat Music Production.

Our recordings are produced using a pair of Crown PCM Pressure Zone Boundary Mics, which enable all the musicians to sound as if they are all equally close to the mic. The resulting signal is fed into a stereo Tascam mixer. Our first processor was an outboard two channel unit, recording direct to digital audio on a Beta Video Machine. When the Akai Dr4d Hard Drive recorder became available we switched to this newer format. As a matter of principle, we allowed no further tampering with the signal, except for a 'room size' digital environment: No compression, limiting, or dolby noise reduction.

THE FIVE MYTHS OF TRUMPET PLAYING extracted from SAIL THE SEVEN C's MYTH #1 Only special freaks can play in the high register. Don't waste precious time trying to duplicate their efforts. There are plenty of notes below high C upon which to devote your time and effort. FACT: Nearly any player can dramatically improve his or her high register.

What is needed is the desire to do so, and a dedicated, systematic approach. The high register will not succumb to the casual player. MYTH #2 If I could find just the right mouthpiece, I too could be a high note artist. FACT: There are mouthpieces which facilitate brilliance and intensity of sound. These mouthpieces, sometimes labeled high velocity, are more 'V' shaped as opposed to bowl shaped. Sometimes, usually at the music store when we are trying mouthpieces, almost any mouthpiece appears to be superior to the one we are now playing - hence the answer to all our prayers. But pitch is determined by frequency of vibration of your lip.

If you can play a C4 on a Schilke 5a4a, you can also do so on a Bach #1. Don't get into the drawer full of mouthpieces syndrome. Choose a rim that is comfortable and learn to play it.

I am convinced that a larger cup diameter and a more open throat, which permits a larger airstream, actually facilitates the development of the high register. MYTH #3 I need a special trumpet. FACT: Mouthpiece tapers, varying bores, different bell sizes, and various alloys will alter the timbre and playing characteristics of an instrument. But the instrument, in fact, has even less to do with lip vibration, which determines pitch, than does the mouthpiece. MYTH #4 Playing and practicing in the high (G2 to C5) register will ruin the middle and low registers, and make my tone brittle and laser-like.